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REVIEW – SINISTER

Cinematographer Chris Norr’s dark, de-saturated color pallete adds a polished sheen of terror to the narrative.
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SINISTER

Hawke pieces together the grisly visual evidence, while astute direction and effectively nuanced cinematography draw out telling unease from mundane interior spaces.
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SINISTER

Thanks to a dependably driven performance from Hawke, Chris Norr’s gorgeously glassy cinematography and several shiversome reveals, Sinister manages to be both an opportunistic Insidious clone and a much more consistent watch.
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Sinister SXSW 2012 Review

The horror doesn’t stem from Ellison confronting a threatening dog, but seeing the reflection of the horrific Super 8 films in his glasses, one of the many fantastic shots Derrickson and cinematographer Chris Norr capture.
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SXSW 2012 Movie Review: ‘Sinister’

Impressively shot with dark shadows and moody lighting by Chris Norr, Sinister may not be the kind of movie to spawn another Saw or Paranormal Activity franchise, but that hardly matters to passionate horror fans.
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Sinister

Blending darkly atmospheric widescreen lensing by Chris Norr transforms the Oswald's new house into a claustrophobic, crazy-making space.
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